Headline – to finalize

WORKING HEADLINE – REPLACE

I make complex technology feel like something – without making it smaller.

Placeholder

Hero visual – a single signature frame from a Bruce-directed film, resolving from storyboard sketch to finished shot. Needs: one strong 16:9 still (or a short silent loop).

Microsoft · 2008 – 2025

One system, twenty-five voices.

Most enterprise content is unwatchable. I built 25+ properties people actually chose to watch and listen to – one quality bar, a distinct identity for each.

$59M
attributed Azure Consumed Revenue
78%
average completion
116:1
ROI
2M+
views and listens
Afternoon Cyber Tea 100th-episode cover art – a steaming teacup with a keyhole and a brass key on the saucer

Single-image showcase

Afternoon Cyber Tea, 100th episode.

Art direction

A shared template – type slot, mark placement, color logic – held the portfolio together while every property earned its own face.

The system

Ten covers, one system.

Afternoon Cyber Tea cover art
Afternoon Cyber Tea
The BlueHat Podcast cover art
The BlueHat Podcast
Microsoft Threat Intelligence Podcast cover art
Microsoft Threat Intelligence
Scott and Mark Learn To cover art
Scott & Mark Learn To…
Hybrid Cloud Partners cover art
Hybrid Cloud Partners
Tech Innovators Spotlight cover art
Tech Innovators Spotlight
Luminaries in the Dark cover art
Luminaries in the Dark
Remote Space cover art
Remote Space
Powered by the People cover art
Powered by the People
The Digestible Dynamics Podcast cover art
Digestible Dynamics

Copy direction

Naming is positioning. Each show got a title that promised a point of view, not a topic, and a voice that stayed expert without sliding into jargon.

Copy system – campaign amplification

I removed the friction of self-promotion: every guest and partner team got a ready-to-post kit, so the work marketed itself through their channels instead of waiting on mine.

  • Social copy
  • Audiograms
  • Episode titles
  • Descriptions
  • Partner PR kits

Across mediums

The same identity traveled cover art, thumbnails, audiograms, social cutdowns, and landing pages. A brand system, not a logo.

Collaboration and scale

Executive series and on-mic coaching with Ann Johnson, Scott Hanselman, Mark Russinovich, and Sherrod DeGrippo; production across Azure, Security, AI / Copilot, M365, and Windows. Five properties ranked in the global top 3% of 3.5M podcasts.

What it proves

Art direction and copy direction across a 25+ property system, held to one bar at scale.

Commission · book jacket

Off the system, by hand.

Commissioned book-jacket wraparound shown flat – back cover, spine, and front cover in one view. A cold, ominous front shows a boy alone on a high trestle with a train closing in; it resolves across the spine to a warm, lit town on the back.
A commissioned wraparound – front, spine, and back as one object. The color does the storytelling before a word is read: a cold, ominous front, a boy alone on a high trestle with a train closing in, resolving across the spine to a warm, lit town on the back. Peril to redemption, told in palette and composition – designed, art-directed, and illustrated with the help of GenAI.
Monster Mash film poster – the horrors of speed dating, with festival laurels

Direction · independent and Microsoft

What the work is for.

Technology earns its keep when you can feel what it does for a person. These are the pieces where the product gets out of the way and the human stays.

Placeholder

Ability Eye Gaze still – a real frame from the film (Steve Gleason / eye-gaze interaction). Needs: one signature 16:9 still. #1 priority asset.

Ability Eye Gaze

with Steve Gleason · ALS accessibility

Directed, shot, and edited end-to-end in under two days. The film drove the project to the Microsoft OneWeek Hackathon Grand Prize across 2,200 teams and a Tech for Good Award.

Watch the film
Placeholder

Water for Good still – a real documentary frame from the Central African Republic. Needs: one strong 16:9 still. #2 priority asset.

Water for Good

documentary · Central African Republic

Documentary fieldwork capturing the work of bringing clean water to remote communities; the piece drove nonprofit visibility and fundraising.

Watch the film
Monster Mash still framed by four film-festival selection laurels

Monster Mash

short horror · 48-hour competition

Written, directed, shot, and edited under a 48-hour constraint. Best Director, screened at 12 festivals, with nominations for Best Horror Short Film, Best Screenplay, and Best Sound Design.

Watch the film

Copy direction

No narration doing the emotional lifting – the cut, the silence, and the subject carry it. The writing knows when to stop.

Art direction

Directed, shot, and cut for feeling first: framing, pacing, restraint. Made under real constraint, which is where the feeling came from.

Across mediums

Documentary, accessibility film, and narrative horror – one eye, three registers.

What it proves

Emotional range and hands-on craft – a maker who can carry a piece from concept to final cut, alone.

Artwell · 2025 – present

Where your voice becomes your story.

An AI-native story engine with one rule: the person keeps authorship. AI does the lifting between the conversation and the finished piece – it never takes the pen.

Artwell logo – a serif A inside an orange brushstroke circle above the Artwell wordmark

AI should amplify human creativity, not replace it.

Founder and principal architect – created the Artwell mark and brand voice.

Copy direction

The whole brand voice is one promise, said plainly. Warm, exact, creator-first – built on a principle I won't move off.

Art direction

Created the Artwell mark and the orange-brushstroke system – a hand-made gesture against a machine medium, so the brand reads human at a glance.

Across mediums

One idea travels every surface, conversation to narrative to finished piece, across text, voice, video, and audio.

Product access

Built solo, end to end – the working interface stays private until launch. Walkthrough on request.

What it proves

Brand-platform thinking and AI-native practice, owned end to end – the exact tool class Runway builds for.

Leadership · Microsoft

I built the machine, and still ran the camera.

I built the studio that made the output possible – stages, standards, review cadence, a 15+ person team, a vendor model – and kept directing inside it.

15+ person creative team

$1.6M+ annual production budget

Per-episode cost $7K – $20K → $2K – $3K

Total production cost down 60%

Cycle time down 30 – 50% with AI

30–50%

faster production cycles – time and cost down, editorial quality held.

Cycle time before

With AI assists

What AI took off the team's plate

  • Guest + topic research
  • Host question lists
  • Interview briefs
  • Show notes + descriptions
  • Episode titles
  • Audiograms
  • Episode graphics

The pipeline never changed – brief, prep, record, post, publish. AI carries the load between the beats.

Operating model

The operating model in one line: standards tight, cadence predictable, the bar non-negotiable, and the budget cut while the output grew.

Quality bar

The same quality bar from a 48-hour short to a $1.6M+ slate.

What it proves

I can build and run the department and still make the work.

Point of view · essays and editorial art

A point of view, on the record.

I have a take on where this goes, and I publish it.

Schrödinger's Chat – the chatbot's answer is both right and wrong until you check it. An AI-native editorial cartoon, art-directed in a vintage scientific style.Read the cartoon on Substack

We have declared judgment the most valuable thing in the economy at the precise moment we're dismantling the work that produces it.